Monday, March 31, 2008

What are you waiting for?

"If I'm going to make a life out of this, I better do it soon!"

So says my favorite singer/songwriter, David Wilcox, in an interview on NPR's Bob Edwards Weekend show. A good mantra for a writer, too, don't you think?

Dave talks about writing one of the songs he performs after he heard the chorus in his dreams. Sound familiar to any of you writers out there? We can learn a lot from artists in other mediums. We're running in the same river, after all.

River Run Dry
David Wilcox
There's a canyon down from Ghost Ranch, New Mexico
Left by torrents that tore through here long ago
It carved out sculpture and left this show
When the canyon floor is dry

And there's a river close to home that never seems to flow
Some part of me that couldn't break the dam below
Just slow turnin' circles that won't let go
Waiting just to fly

I can't wait any longer
With these stones around my heart that keep me shy
So I pray the river's stronger
So I may before I die

Say goodbye,
and run like the river run dry

I wanna sweat through every pore,
running faster when it's hot
And catch up to who I can be,
and drop the things I'm not
And be sure by the end,

I gave it all I've got
Feel my heart beat strong

By the finish line, I wouldn't mind
falling like the rain
Instead of saving it for someday,

when someday never came
I wanna open up early

and push against the pain
Pray to just hold on

I can't wait any longer
With these dreams within my heart I have to try
So I pray
the river's stronger
So I may before I die
Say goodbye,

and run like the river run dry

Let me fall

This will end, but while I'm living
There are dreams within my heart that have to fly
So I willl spend this life I'm living
so I may before I die

Say goodbye,
and run like the river run dry

You can listen to the interview at the streaming link above, or here as a free Itunes download. Thanks to Lian-Marie from DW list for posting the link to the show.

March 28, "Bob talks with Susan Jacoby about her book The Age of American Unreason and singer/songwriter David Wilcox."
~Interview with DW starts about halfway through, at the 20:40 marker, but the whole thing is fairly interesting. Some political talk if that scares ya.
~River Run Dry comments and song start at about 32:20 marker.

Labels:

Sunday, March 30, 2008

Jane Austen, part deux: Vocabulary lesson

Tonight, PBS showed the the first part of the Sense & Sensibility miniseries on PBS, as I mentioned last Sunday, and my younger daughter and I snuggled in for another mother/daughter cultural experience. In case you forget, she's 10. That really wonderful stage (for moms anyway) right between child and young woman, and I'm taking advantage of it as much as I can, as long as I can.

So, in the show, Marianne Dashwood had encountered the two available bachelors in the new neighborhood--Willoughby, handsome and young, and Colonel Brandon, handsome and not so young. When the two men approached each other at a dinner party and the sinister music swelled along with the tension, my daughter exclaimed, almost under her breath, "Collusion!"

Huh? Collusion? I thought that's what she had said, but she has this habit of refusing to repeat words if she's not sure she used them correctly. (Um, probably because she figures I'm going to blog about it.)

Finally, I pried it out of her, and told her I thought it probably worked for the situation. I looked it up later, and it worked reasonably well in that moment. Come to find out as the story developed, not so much after all.

(From dictionary.com, "a secret agreement, esp. for fraudulent or treacherous purposes; conspiracy")

So, there I sat, wallowing in my pride, wondering where on earth my darling daughter learns these words and uses them fairly well in context. But she had something else to say, so she changed the subject.

"My pits smell good. Like flowers."

Apparently, in addition to learning and experimenting with new vocabulary, she also appreciates her new deodorant.

Thursday, March 27, 2008

Why make art?

Why write? Why paint? Why make music? Why make films and produce plays?

In my voice 2 class with Barbara Samuel, we're talking about callings--specifically, for our class, being called to write. I've been thinking about that a lot for the last week.

Did you see the speeches Glenn Hansard and Marketa Irglova gave when they won the Academy Award for Best Original Song this year? Glenn's final statement as he held out the Oscar was, "Make art! Make art!" I wish I could write it the way he said it in his charming Irish accent, but please use your imagination. Something like, "Mek arrrdt! Mek arrrdt!" Then, Marketa's historical recall speech where she was able to express her pleasure in receiving such an honor on the behalf of so many independent artists who rarely see that kind of reward.

But, why? Why make art?

Last week, my family explored the exhibits at the Amon Carter Museum and walked the paths of the Ft. Worth Botanic Gardens, pointing out the pieces and flowers to each other that most caught our attention.

A few weeks ago, my friend Gail and I talked about why we liked to go to movies, and the incomparable feeling of sinking into a theater seat and being swept away to another world, even if only for 90 minutes.


I hear you, but what's your point?

In the midst of a pretty emotional week for me, it truly hit home for me. I'm reading The Mermaid Chair, by Sue Monk Kidd. Several times this morning, I stopped to read a line or paragraph more than once. I said to myself,

"That's exactly how I would have put it if only I were so brilliant!"

The bits and pieces resonated with me, showed me truths I didn't even realize were there inside me, gave me some needed internal peace.


Then, this afternoon I lit candles, turned on my CD player, and had some bubble bath therapy. I played a CD I haven't listened to in ages. In fact, I'm not sure I ever listened to it closely before, as I did today. Several songs spoke to me out loud, in a way that showed me answers to questions nagging at me this week.

I'm sure there are many reasons to make art that I haven't even begun to contemplate--as many reasons as there are people who make it and people who partake of it. But it occurred to me today that art is simply one way to experience, from my perspective,

a little perfection here on earth.

Not that art is perfect. But as writers, painters and sculptors, filmmakers, songwriters, or any of the other myriad ways in which we make art, we have the ability to create something that for someone, somewhere, in that moment, is perfect.


It might be just what they need to see or hear or touch to keep going.

So, make art.

Come away to sea
Chorus
This simple craft I play upon
Is made from wooden parts
It's never sailed an ocean
But it sure can sail my heart

And if you feel the music
Then we've raised another sail
The ocean wraps this world around
The wind will never fail

Sunday, March 23, 2008

Unexpected pleasure

Sunday nights around our house normally mean getting the girls ready for another school week, finding your own supper, and a new episode of Brothers and Sisters, if there is one. Of course, the writer's strike intervened this year, so we've had some down time from that show, and it was the end of Spring Break. There wasn't a lot of homework to check (I hope), and we're all so relaxed we forgot to do laundry or write lunch checks anyway. Oops, I should go write those checks.

An unexpected pleasure came my way when I glanced at the TV listings online and realized PBS was showing Jane Austen's Emma tonight, and it was five minutes until showtime. I flipped to the right channel, and Todd headed to the bedroom with his computer. He liked the recent Hollywood production of Pride & Prejudice, but I think he's afraid he'd have to give up his man card if he watched too many of these movies and liked them.

I watched a few minutes alone, then my 10-year-old showed up. She wanted to show me something she was creating on the computer in the other room. She sat beside me patiently for a little while, watching the movie, and eventually asked when there would be a commercial. I explained the channel doesn't have commercials, and she wasn't too happy about it, but before she knew it, she was completely engaged in watching Emma. And she was getting it.

Usually, she's in bed at nine(ish) on school nights, but an hour later, a few minutes before nine, she asked if she could watch the rest of it. She's hard to wake up in the morning, so that's never an easy question. Do I let her stay up, knowing she's going to have to be physically dragged out of bed in the morning? Or make her go to bed and perhaps miss the opportunity to cultivate an interest in some of the greatest literature of all time?

I let her stay up. :-) A few minutes before the end of the show, she even asked if she could run up and turn her TV on and watch the last few minutes while she brushed her teeth and got ready for bed.

And before I tucked her in, she asked if it was a series--she wants to know when the next one is showing.

(And it's too bad there's only one more left--Sense & Sensibility is showing the next two weeks, but we missed the first four! Hmm, there are DVDs ...)

Saturday, March 22, 2008

Mid-Century Modern Moms

I'm so loving this new blog--
Mid-Century Modern Moms

It's for mothers of kids from pre-teens through young adult. Most of the "mom blogs" out there are for women with little ones. I laugh every single time I go to this blog. Well, sometimes I don't laugh because there are serious moments, too, actually.

Some of the 10 moms who contribute are writers (Judy Merrill Larson, for instance), some are not.

If you've got kids this age, or just feel like a good laugh or cry, go here. They just moved over from Blogger to a great new Typepad site.

Wednesday, March 19, 2008

Do you AI?

This question came up in the comments over at Diane Chamberlain's blog this week, and I decided to say more here because I think I probably surpassed the legal word limit over there for comments. I'm sure that comes as no surprise if you made it all the way through my last post. I am just long-winded and for that, I sometimes make no apology. Other times, I do because I feel shtupid for it, but certainly not last night. Maybe tonight. We'll see.

I also sometimes make no apology for the fact that yes, I do watch American Idol. Without fail. The one episode I had to miss this year, I watched over at my friend's house because she DVR'd it. Phew. Other times I do that weird thing we humans like to do. I say, "I don't usually watch reality TV, but I have to admit I watch American Idol..." as I blush. But why should I be embarrassed? I yam who I yam, right?

Why do I like this show? Several reasons.

First, I have a love/hate relationship with it, truly. I am sincerely sick of the judge's stupid bickering this year. So much disrespect going on there, I can barely tolerate it. I also hate when contestants who obviously need to GO HOME stay week after week because of what we call around our house the "hot" factor, or because silly people on votefortheworst dot com are getting their kicks by messing with self esteems.

I also feel sad, especially for the youngest kids, when they are voted off and have to sing their song one last time. I like the new way they did it last week where they sang before they found out. On the other hand, some of them have given the performance of their lives in that moment, when it's the last chance they really have to prove themselves or give a tribute to the people who have supported them.

Second, I just love music. I actually have pretty discriminating taste in music. It's eclectic, and it's off the beaten path for sure. I'm not crazy about most of the songs the contestants are allowed to sing, and yet, it's music. I've been excited this year to see a little more creativity in song choice from a few contestants who seem to be on my music wavelength, maybe for the first time since the show started. I also love that they get to use instruments this season. And Chikezie was NOT that bad on the harmonica! I really liked his number tonight.

Third, and this one occurred to me today. I opened an email from my dad, and the subject was partially cut off, so it looked like "Ted Mack Attack" at first glance. What it actually said was "Ted Mack Attachment." It was a file containing one of my dad's two performances on the Original Amateur Hour back in 1963. Yes, Virginia, there was talent before American Idol.

My dad sang Younger than Springtime, people mailed in votes to the TV station, and he got to sing a second time because he was one of the winners, I guess. No million dollar recording contract, but I'm sure it was a dream come true for him back in 1963. We had a recording of one show that me and my brother spun over and over on our old, scratchy record player as we grew up, and in recent years, my brother transferred it to CD and sent it out to all of us, including two younger siblings now.

And today, we've been able to watch it for the first time ever. It's truly funny to see my laid-back dad, who has (a little) white hair and a midwestern accent now sporting a fuller head of black hair and a strrrrong southern accent and what I like to call "Music Minister Arms" at the end of the song. But it's also truly inspiring, because he was good and he was following his dream.

I've love to post a bit of it here, but I don't know if I can legally. I'll look into that. The original file resides somewhere in the files of the Library of Congress, and one day, so will the video of all the final contestants from American Idol, and their families will be proud and amazed that their moms or dads were on the show, just like we were and are.

Fourth, and finally, here's what relates to writing. Because this is a writing blog, right? It's not a singing competition, that's for sure, and really, neither is American Idol. It's a dream maker. It's where young people literally put their lives on hold for months while they pursue their biggest dream and passion. It's probably not even really about winning for most of them--they know that only one can win, and odds are, it won't be them. It's about making a statement to the world that they are serious about their dream, and they will give whatever it takes to make it happen.

Now, I am not so naive as to believe there is not a certain amount of political maneuvering that goes on behind the scenes, and likely even some fraud, but I choose to ignore it when I can.

In the end, as writers, can we say we are giving to our dream and our passion what these kids are giving to theirs? If not, why? If not now, when?

(Here's where you stand and sing the Star-Spangled Banner. ;) Then sit back down and start writing.)

Labels:

Monday, March 17, 2008

Your Blues Ain't Like Mine

I have read more books this year that have really, really made me think. More than in who knows how long--maybe ever. I've double posted a few times lately on both my blogs,and I'm going to have to do it again tonight.

Over the weekend, I finished the latest--Your Blues Ain't Like Mine, by Bebe Moore Campbell. I happened to see this while browsing at the library a few weeks ago, and remembered a reference to the author in a blurb on Carleen's book, Orange Mint & Honey, of course! And I did not know until just this minute when I went searching for a book link that Campbell is deceased, having died of a brain tumor in 2006.

If you've known me very well in "real life" for long, you know racism (i.e., trying to eliminate it) is one of my soapboxes. And yet, my eyes were opened even a bit wider reading this book. I felt such a mixture of anger, shame, and hope while reading. I think the premise behind the book is that we all have our burdens to bear, and that it's far too easy to judge others, believing that our own burden is just a little bit heavier because of what or who we are. You might come away with something altogether different if you read it. And, of course, there are so many big ideas in the book, and that's just one.

But, I want to talk about those emotions a little more here.

Anger. If you can read this story without feeling anger, I am afraid for you. The fictional events are based on a true story, where a young African American man in the deep South, right at the beginning of the civil rights era, was lynched for allegedly speaking inappropriately to a white woman. Lip service was paid to justice, almost making it worse than if it had never been brought up at all. The rest of the story entails the unfolding of the lives of those surrounding the event over the next 30 years--African American, white, and mixed-race characters.

Shame. I had to ask my mom over dinner Saturday evening what happened in our own family to stall racism. I loved my maternal grandma--she was truly one of my favorite people when I was growing up--yet I cringed and felt physically ill every time I heard her or one of her generation in my family use that horrible word you can guess at here.

For some reason, though, my mother wasn't like that. Over dinner, she told me that when she was growing up in New Mexico, they were beginning to talk in the public schools about civil rights and putting a stop to racism, and she guesses she just took it to heart. This suprises me--it was in the 40s and 50s, and that seems pretty progressive to me! She remembers a time when her father was furious with her for accepting a ride home from camp from the family of an African American girl, and another when she went on a date with a Hispanic boy.

Unfortunately, others in my extended family of her same generation weren't influenced like she was, and I am sorry to say some are no different all the way down to my generation. You could say we are not close today. :-D

On the other hand, my father's family was a strange contrast. I was under the impression my paternal grandmother was racist, too, although I did not know her well, but it turns out she was selective--she was prejudiced against Hispanics, but not African Americans.

This could be because, as it turns out, she fell deeply in love with an African American boy when she was in her late teens, and her father forced an end to that relationship, sometime in the 1920s, I guess. Grandma was an unhappy person as long as I knew her, and that went a long way in explaining her personality to me. She also bore the stigma of being one quarter Cherokee. At least, we think it was Cherokee. The family never talked much about it back in those days. It was a stigma, after all, and the guy responsible for that quarter was never publicly in the picture. I think there is a great story idea in there somewhere, and in fact, did a character sketch for a writing class last year based on the few details I knew.

Anyway, all I knew was the story I heard for years--when my father called to tell her he was engaged to a girl at the university he attended in New Mexico, Grandma's first question was, "Is she a Mexican?" And yet, she also sponsored a Jewish family in the displacement camps after WWII to come to the United States--including their grandbaby who had been fathered by a Nazi soldier who was in love with the daughter.

So, shame because I hate the way people related to me acted sometimes, and how some probably act to this day. But also hope.

Hope because I saw how my parents were able to stop this cycle in one family, in one generation, simply by saying to themselves and to us, their children, "This is never, ever acceptable." My dad worked with international students at the University of Colorado when I was a kid, and we had visitors of every race and religion in our house from the earliest time I can remember. It was just the norm.

My brother's best friend called my mom "Mom," too, and frequently asked my mom to give him and his bike a ride home from our house when it got too dark. He said, "White people don't like to see me riding my bike in your neighborhood after dark, sometimes they shoot at my bike license with BB guns." He was my brother's best man in his wedding. I spent the day I came home from the hospital with my middle baby with a broken heart. Alan had tried really hard to build a good life for himself, serving in the military, and trying to raise his son right, eventually as a single parent. Yet, somehow things went seriously awry. We learned that day I came home with my new baby that Alan, a victim of severe poverty and a childhood home in Five Points filled with crime, drugs, and despair, had cracked--he had murdered his own 10-year-old son, whom we had held as a baby, because the little guy had become involved in a gang. At least that was his reasoning.

The story was more horrible than we ever could have imagined, and yet, he wasn't just another statistic to us, he was our big brother, our son, our best friend. And I don't mean that in the sense of those who say, "I love black people. Some of my best friends are black." I admire your intention, but really, are they your best friends? On the other hand, I am not tooting my own horn here. I am sometimes reminded of the instances where I am myself racist, in some form or another. You know how I know? That still, small voice in my heart that whispers to me.

It occurred to me as I wrote that paragraph that one of the overriding themes in the manuscript I'm currently revising comes directly from my experiences. Several of my characters have a big "difference"--they are deaf. In my story, my main protagonist is deaf, but some of the other deaf characters do bad things. It is impossible to identify the "good guys" or "bad guys" simply based on their physical characteristics. In one scene, my character's granddad reminds him that in the world, there are really only two types of people--those who really care and those who really don't. I know that's pretty broad, but it's also pretty true if you think about it.

Anyway, I encourage you to locate this book. I think this would be an excellent book for a mandatory high school reading list. It's quite graphic, but probably no more graphic than they see every day on television and in movies, if more disturbing.

Sorry for going on so long, but this was on my heart. And how appropriate, the following quote just showed up on an email digest I get.

"People are like stained glass windows: they sparkle and shine when the sun's out, but when the darkness sets in, their true beauty is revealed only if there is light within."

—Elizabeth Kubler-Ross

Labels:

Sunday, March 16, 2008

Scotch tape and glue sticks

Here's a shameless plug. My son posted new recordings of some of his songs on MySpace this weekend, and you can listen to them here. His friend Jarod, who's attending sound recording school and is also a fine musician, did the recording and he did a fantastic job.

Ryan and I definitely have our moments--you know the ones, I don't have to go into detail, do I? But, overall, he is such an amazing (almost 20-year-old) kid, and makes me so proud I could spit.

His writing skilz are impressive, in my oh-so-humble-even-if-I'm-the-mom opinion. Here are lyrics to one song--an older one, maybe two or three years, which would have made him about 16 or 17 at the time, but it remains one of my favorites. As a writer and a mom, the pictures he paints in this song make me get all teary-eyed. It's poetry.

Scotch tape and glue sticks
(This is one of the recordings, and you may listen to it here)

You see me

but it's not me, collapsing beneath my feet
I'm falling
faster and faster, picking up the speed
This takedown
spill my ashes, share me with someone new
This old town
resembles a time that I spent with someone who ...

You loved this
spot beneath the willows, buried by the sound of sea
I will miss
every chance I got to make you so angry with me
And we know that
every part of the sky is a secret
We'll show that
we'll open her up, and reveal the missing thing

The cold wind
inhibits the joints, and makes it so hard to move
We'll speak then
when voices are heard and seen, when traveling between two
It's so quiet
but the wind's indecision will fly, and we'll all change moons
So tell me
So tell me

And I don't want you to fake this
But I'm sure that I will break this
And I really want to shake this
But I'm so alone

And I'm trying to fly away
But these wings won't carry me
They were made in the first grade
When love was easy

And I'm trying to fly away
But these wings won't carry me
They were made in the first grade
When Scotch tape and glue sticks would fix everything

You see me
but it's not me, collapsing beneath my feet
I'm falling
faster and faster, picking up the speed
This takedown
spill my ashes, share me with someone new
This old town
resembles a time that I spent with someone I

Love

© Ryan Pickop

Friday, March 14, 2008

Listening to Anne Lamott--live!

My buddy Gail and I went to hear Anne Lamott speak last night as part of the Dallas Museum of Art - Arts & Letters Live Series.

I've read most of Lamott's books in the last few years and listened to Grace (Eventually): Thoughts on Faith on audio just a few months ago. She is a radical thinker and a pleasure to listen to, wherever you stand on the issues she dares to talk about, even in the Christian environment. (Yes, you can say some of those words in church!)

I'm not going to do a long review of the evening here, but rather, share one little gem that stood out when she was taking questions from the audience. I can't even remember the question, but it was on writing and probably her process.

She simply gave the metaphor of a rag bag. When you are a bit stuck on what to write, reach into your bag of rags. Your rag bag contains so many brightly colored bits of fabric--the memories, the simple few lines you wrote on that index card and stuck in your back pocket, the dialogue you over heard in line at the grocery store. They have different textures and different levels of meaning, but they are a treasure. Pick one out, study it and feel it for a bit, then start writing.

Sounds easy. :-)

Labels:

Wednesday, March 12, 2008

A hint and a lot of other rambling

I see from her blog that Donna followed my lead in getting her MS (a pretty dang funny story, by the way, at least what I've seen) printed and punched at Office Depot. Wait, I haven't done it yet, so she's the leader now!

Instead, I spent a whole afternoon making a "minor" change to the WIP (work-in-progress!). Wait, I'm not finished yet.

Because . . . that minor change entails revisiting every page of the story. I made it through about 150 today. A lot more to go.

Many published writers, but not so many pre-pubbed ones, drop hints about their WIPs (there's that funny word again! But you know it now, right?). I have avoided this like the proverbial plague because it was really important to me to keep this story very close to my heart for a good, long time.

I've been seriously sidetracked on previous efforts--to the point of giving up on the story. For good reasons every time, but with this one, I knew I had a unique premise, if such a thing exists. (It's at least a unique twist if not premise.) I didn't want to get discouraged before I had the first full draft written. I'm to the point now where you can tell me every which way but lose what is wrong with this story, and I'll probably take your advice seriously to heart, and then I'll revise until I'm blue in the face to get it right. Then this puppy is going out on submission.

So (sit up, take notice), here's my first little bit of real info about the story. The only other thing I've shared is that, in the words of Diane, it's s-e-r-i-o-u-s. If you can believe it. Anyway, one of my point-of-view characters is deaf. Or hearing impaired, hearing challenged, whichever politically correct term you prefer. He can't hear. Not at all. Wait, that's TWO hints. Now you know he's a he, too!

I tell you this because I've really struggled to wrap my head around the write, oops, RIGHT way to show the dialogue that's not spoken, but signed. And there's lots of it. Lots. I've checked out as many books from the library as I could that had deaf characters. There are NOT many, let me tell you. There doesn't seem to be any uniform method, and there are problems with each.

My only-est reader so far (Hi, Gail!), who saw the first couple of chapters about a year ago, struggled with the method I originally chose, so I knew this was an obstacle I would need to get around before I could pass the story on to many others. Identifying the best method--one that allows the story to flow seamlessly and engages the reader--will be a huge relief.

I said all that to say that I spent today changing every instance (so far) of this dialogue to a new method. I think it works better. Please, God, in the chosen Lennon/McCartney lyrics of my favorite girl AI contestant, Brooke, "Let it be." (I likes me some folkies--Can we all say Jason and sigh in unison?)

Next stop, Office Depot.

EDIT! So, this morning, I remembered I have another book (on hand!) with a character who uses ASL (as does mine). I look at it, and her dialogue is done exactly the way I HAD it, and it actually worked pretty well. Gaaaaaah . . . What to do? The book, by the way, is Between, Georgia, by Joshilyn Jackson, and was very good. She has another that just launched--The Girl Who Stopped Swimming. Her blog today just might make you laugh!

Labels: ,

Monday, March 10, 2008

Need a good laugh?

You have to go look at the picture on Diane Chamberlain's latest blog post. I laughed out loud. Really. Don't click on that link if it is necessary for you to be quiet at this moment.

I think this is how all writers must feel when they've been spending a little too much time with the computer.

Labels:

The Craziness of March has come, but it has not passed

It's going to be a busy month, and it's already nearly half over!!!

I'm starting Barbara Samuel's Voice II class next week, the kids have Spring Break, and I'm working on these revisions.

Revisions are going okay so far. I was going to start with printing out all the pages of my first draft, punching them, and filing them in a binder to do a read through, as I've seen suggested in several places. I still plan to do that, but I already knew of a few obvious plot holes with relatively easy fixes to make before I read or got any beta readers involved. So I decided to do those first, which has been keeping me pretty busy for the last week or so.

Hoping to trek over to Office Depot for the printout in the very near future. I figure it's better to abuse their large printing monsters than torture my little HP photo printer, and it will probably be less expensive in the long run than using all my own ink cartridges and paper.

Not to mention I have "bonus bucks" to use after purchasing my new laptop from them. (I am sad they failed to mention that "cash back" really meant credit to use in the store. Grr.)

Not to mention me and printers have this thing. We don't get along very well.

When I worked in an office, people assumed that since I was kind of tech savvy--I worked on the departmental intranet site, and I could always get them out of their fixes, like lost toolbars--I could also troubleshoot printers and copiers. Um, no. I am terrified of them. :-)

I went on an online scavenger hunt this afternoon, looking for more articles about character arcs, change, etc. Somehow (isn't it funny how that works?) I ended up at Margie Lawson's site. I've been there before. I'm considering either taking her Empowering Character's Emotions workshop in person--she'll be at a local writer's group in May--or downloading the packet from her site.

Anyone taken this class or downloaded the material? Would love to hear how it worked for you, and also any other good resources for writing emotion and nonverbal communication.

By the way, can you name the source of my (somewhat altered) post title? Ten points if you can. Ten points for what, I still don't know, but I'm keeping track. ;)

Labels: , ,

Thursday, March 06, 2008

Ho Hum

Because I have nothing more exciting to report, I thought I'd play another fun game. I found the link to this one on Gayle Brandeis's blog, which I came across by chance yesterday. I haven't read anything by her yet, but I believe I will add her new book, Self Storage, to the TBR pile!

What Punctuation Mark Are You? I am ... a question mark!



You Are a Question Mark



You seek knowledge and insight in every form possible. You love learning. And while you know a lot, you don't act like a know it all. You're open to learning you're wrong. You ask a lot of questions, collect a lot of data, and always dig deep to find out more. You're naturally curious and inquisitive. You jump to ask a question when the opportunity arises. Your friends see you as interesting, insightful, and thought provoking. (But they're not always up for the intense inquisitions that you love!)

You excel in: Higher education

You get along best with: The Comma
This sounds about right, I think. I did excel in higher education--let's hope I excel in the real world, too! Preferably in publishing ...
Oh, it *is* snowing here in Texas, which seems to be big news, as always! Also, I'm getting good work done on revisions, so that's exciting for me.

Labels: ,

Monday, March 03, 2008

Orange Mint and Honey

I finally received my copy of Orange Mint and Honey, Carleen Brice's fiction debut, last Monday from Amazon. I was in the middle of another book when it arrived, so didn't get started until late in the week. (Don't tell Ann Patchett, but I cheated and snuck a few chapters in early!)

Can I just say it was well worth the wait? I loved this book. I read until the wee hours Saturday morning, then was back at it again when I woke up later, and stuck with it until I finished.

Here's a description from Carleen's website:


What would Nina Simone do? That’s the question 25-year-old Shay Dixon asks of her de facto spiritual adviser, the late great High Priestess of Soul, when she finds herself depressed, evicted from her apartment, and about to flunk out of grad school.

The answer - move back home to live with her recovering alcoholic mother Nona - leads Shay back to Denver where she is shocked to discover a new Nona, sober, healthy, raising a 3-year-old, and growing a lush, healing garden.

Though reconciliation seems a hard proposition for Shay, something unmistakable takes root inside her, waiting to blossom like the flowers in Nona's garden.

Soon Shay finds herself facing her first real romantic relationship and exciting possibilities. But when a crisis hits, even the wise words and soulful melodies of Nina Simone may not be enough for solace. Shay begins to realize that, like orange mint and honey, life tastes better when
bitter is followed by sweet.



Writing teachers speak of "setting as a character." Well, let me tell you, for me anyway, setting was a major player in this story. It would be hard for me to make an unbiased determination of whether it was Carleen's doing or it was because these are the neighborhoods where I grew up. East High School, Five Points, Colfax Avenue, Colorado Boulevard, Park Hill, The Tattered Cover—if you could Mapquest my junior high and high school memories, these would be the physical boundaries. It's been nearly 20 years since I've been back to Denver, and it wasn't the best period of my life, but the unique experience created by that geography felt so familiar, I was homesick. I had a similar experience when I read Little Miss Strange by Joanna Rose—which is to say, I was mesmerized.

Orange Mint and Honey intersects the lives of women in so many ways, however, that I'm not sure any of us could read this novel without identifying at some point.* Mothers and daughters, sisters, addictions, trust issues, growing up, absent fathers, self esteem, identity, and most of all, forgiveness and reconciliation—these are a few of the issues the story touches on.

One scene that just won't leave my mind is a confrontation between Shay and Nona, her recovering alcoholic mother. The setting for this scene causes a hullabaloo for sure. I won't give it away, but when it's said and done, you think, "Yes. That's right. This is what should happen in this place."

Brice's characters are funny and quirky and human. On one page, you think, "Hey, I know that guy." Other times, you blush when you recognize yourself. My husband and I were eating out last night, and I pointed to a girl in a booth across from our table. I said, "That's exactly how I pictured the girl in the book I just finished this morning." She had no idea, but she was Shay (after she finally got her hair done).

And, of course, if you know me at all, you know that a book without music is somehow lacking. There is no shortage in Orange Mint and Honey. The story starts off when Shay is visited by the spirit of Nina Simone, and music really becomes another character as well.

What really grabbed me, though, is that for all its prickly issues, this is such a joyful story. My own work tends to be darkish, or as Diane Chamberlain put it the other day about her own work, s-e-r-i-o-u-s. I believe there is a place for mostly serious, heavy books, but if readers and writers lived there all the time, we'd all stick our heads in ovens, right?

Brice manages to weave a story that deals, at its core, with some heavy, heavy issues, yet I found myself grinning like an idiot for nearly 300 pages. Even smiling through my tears.

Run out and get your copy and read this book.

* By the way, this novel deals with some touchy issues. I would allow my own mature 14-year-old to read it, and would be glad I read it first. I'd want to talk with her about it when she was finished.

Labels: ,